My process isn't rigid or rule-bound. I let the clay speak—often abandoning initial ideas and allowing the form to emerge through touch and response. Whether I’m hand-building with coils, slabs, or pinches, or centering on the wheel, the subtle movements of my hands shape something unique each time.

Every gesture becomes a quiet act of expression. Clay offers a kind of freedom—where textures, imperfections, and shifting forms are not mistakes, but discoveries. It's a space where I find both challenge and calm, and where making feels like listening.

It also impresses me how it affected my artistic sensibilities and decision-making. While hand building techniques, I became more confidant in shaping forms, the use of a wheel shifted the focus to learning techniques and achieving precision, leading to less exploration. I am also intrested in the bodily kinetics , to uncover the intrinsic relationship between the physical engagement and the resultant aesthetic and functional attributes of the pottery.